Henrik von Coler & 1)3\/1532 / Michael Tuttle #300
Doors: 19:30 / Start time: 20:00
Entrance 7-12 euro (up to your offer)
Michael Tuttle - 3X3
A live multi-channel sound environment created through distributing delayed, looped, and live input throughout the performance space. This technique allows a limited palette of material to be expanded and subtly manipulated into a sonically rich performance while maintaining the input's original integrity.
Henrik von Coler & 1)3\/1532 - Modular-Acousmatic-Conversations
Henrik von Coler & 1)3\/1532 combine Acousmatics - recorded and processed sound - with a live-patched modular system, creating a soundscape of surreal narrative elements and abstract noise patterns ... in conversation, in conflict, in rage. Live-diffusion of all single components on a multichannel system makes these environments move in space.
Henrik von Coler is a researcher in the field of audio technology and composer of electronic music. He is currently teaching and researching at Technische Universität Berlin. In his performances he focuses on the live spatialization and processing of his acousmatic works.
1)3\/1532 (deviser) is drone/noise/experimental soundscaping. The aural journey leads to places like simple repetitve guitar tunes, loops, feedback manipulation, modified samples of field recordings, DIY analog synthesizers, toys and the like. Experimentation for the greater good! https://sleepmap.de/music/deviser/
Michael Tuttle is a sound artist whose work can be characterised by a reflection on the oppositional forces of sound and music. This is manifested by experiments which examine the relationships between sonic events (sound/noise) and traditional formal structures. A primary intention is for his work to question notions of the hierarchy of power dynamics and perception. As a performer Michael draws from developments of musique concrète, reevaluating its discursive methods and semiotic process. His multi-channel laptop performances digest pre-recorded sound material forcing it into a deconstructed/ reconstructed dialectic. Examining Schaeffer’s concept of reduced listening and re- posing it in relation to sound and physical spaces.