Rhetoric Conversation produces sound that is mainly based on field recording and instruments made with digital and analogue modular systems. Sonorism and a large emphasis on sound, the use of contrasts and varied dynamics, combined with the knowledge that the sound is largely generated by the machines, creates a specific latourian aleatorism, where the performer's intention, along with what comes from nonhuman factors in music, solidifies and introduces the audiosphere of the future. It's form is a consequence of the simultaneous use of the material of sounds already existing, collected from the environment and then subjected to deformation, sounds randomly generated, varied instrumentarium and complementary images. It's improvised electronics on the border of noise, soundscape and sound collage. http://rhetoricconversation.pl

Tatsuru Arai is a composer, sound and visual artist. He studied composition in Tokyo (BA/MA) and Berlin(MA). His works are performed in Germany, UK, Switzerland, Denmark, Sweden, France, Argentina, Mexico, Japan etc. His main artistic Thema is to integrate from classical compositions to new technology, and to present the fundamental physical nature of the universe in the form of perceptional experiences, that could say aesthetics of “geometric structure”. The human perception of sound, a physical phenomenon, influences human beings and the “geometric structure” is a fundamental pillar that allows us to understand the true nature of the universe. Creating a way to experience even a part of the nature of the universe through sound.