02 July 2016 | 20:00

Sound Anatomy V: Parak.eets & Julia Reidy #170

Doors: 19:30 / Start time: 20:00

Solo performance by Julia Reidy

Parak.eets 
Ute Wassermann – voice and birdcalls, Richard Scott – modular synthesizer & Emilio Gordoa

Formed in Berlin in 2014 Parak.eets is an unconventional experimental ensemble comprising Ute Wassermann, Richard Scott and Emilio Gordoa - three highly singular voices from the thriving Berlin improvised scene. The combination of analogue modular synthesizer and extended vocal techniques makes the trio’s sound unique.

 

 

Like many birds all three musicians are natural mimics: Scott's analogue synthesizer often sounds like voice and percussion, Gordoa sound calls to mind both voices and electronics and Wassermann’s hybrid instrument of voice with a variety of bird whistles blends so exactly with this sound world that it is sometimes almost a shock to remember that what we are hearing is a human voice. All three go beyond the superficialities into other sound worlds, populated by the multifarious sounds of many other instruments, and of birds, mammals, insects and other organisms that are harder to identify. One pleasure is that they often come together to form something like a composite sound environment; parallels with forest and jungles and other natural habitats seem inevitable and it is almost surprising when out of this highly virtuosic bursts of highly contemporary sound announce themselves. It morphs, forever changing its shapes and surfaces - it delights in the surprise of letting go of one moment in order to embrace the next. There is a sense of generosity; an openness of all the performers not only to each other but to the potential of sound in general. The trio is able to negotiate many twists and turns, continually opening to new possibilities and combinations. If the overall sense is one of playful and joyful exploration, the listener is left in no doubt of the seriousness and musicality exerted at every twist and turn.

 

Ute Wassermann is known as a vocal soloist and composer/performer for her extraordinary, many-voiced and extreme vocal sound-language. She defamiliarises the sound of her voice using birdcall-whistles, palate whistles, speaker objects or field recordings. A particular interest is the development of compositions for spaces with unusual acoustic qualities. She has performed as a vocal soloist in festivals in Europe, Australia and Asia. Regular performances with on-going groups like speak easy (Phil Minton, Martin Blume, Thomas Lehn, Ute Wassermann), John Russell, Alexander Kolkowski, Els Vandeweyer, Michael Vorfeld (percussion & lights), Birgit Ulher and others and is a member of the Berlin-based composer/performer ensemble Les Femmes Savantes. She has given premieres of works composed for her voice, for example by Richard Barrett, Chaya Czernowin, Henning Christiansen, Hans-Joachim Hespos, Matthias Kaul, Michael Maierhof, Michael Finnissy, Cathy van Eck, Simon Steen-Andersen, Andrew Noble and works by Salvatore Sciarrino, John Cage and others. 

Richard Scott is a free improvising electroacoustic composer working with electronics including modular synthesizers and controllers such as the Buchla Thunder and Lightning and his own self-designed WiGi infra red controller developed at STEIM. He has been composing and performing for over 25 years recently working with artists such as Evan Parker, Jon Rose, Richard Barrett, Kazuhisa Uchihashi, Shelley Hirsch, Ute Wasserman, Michael Vorfeld, Frank Gratkowski and his own Lightning Ensemble. He studied free improvisation in the 80s with John Stevens, saxophone with Elton Dean and Steve Lacy, and electroacoustic composition with David Berezan and Ricardo Climent. He has released many albums, for example with Grutronic and Evan Parker for PSI records, “The Magnificence of Stereo” (sruti BOX), Seven Types of Ambiguity with Axel Doerner, and an album with Sidsel Endresen, “Debris in Lower Earth Orbit “ (CUSP Editions) . Since 2016 he represents his own work (and that of his collaborators) through his Sound Anatomy series and label.

Emilio Gordoa Mexican composer based in Berlin since 2012. He’s involved in numerous projects including his work as a soloist and in collaboration with theater and dance. Emilio is specially focus in sound art, noise and improvisation and is a busy composer as well, writing graphic scores for a variety of ensembles, large and small, for theater, documentary films and audiovisual. Emilio studied with Vincent Carver, Mario Lavista, and Raul Tudon. He has collaborated and performed with artist such as German Bringas, John Russell, Tristan Honsinger, John Butcher, John Edwards, Misha Marks, Axel Dörner, Tony Buck, Tobias Delius, Ignaz Schick, Jack Wright, Liz Allbee, Klaus Kürvers, Alexander Bruck, Roland Ramanan, and Ute Wassermann. He is member of the BerIO.